高明柱，1952年生人，字敬之，号寻径斋，祖籍河南邓州，居北京。中共党员，毛体书法家，诗人，国学大师，诺贝尔国际艺术奖获得者。被中国文联、文化部文化艺术人才中心聘任新时代文化艺术人才中心艺术顾问，现为全国书画艺术委员会主席，国家网络艺术馆名誉馆长，央媒文化组委会艺术顾问，北京心海文化艺术研究院、北京润格艺术品鉴定中心首席评估鉴定顾问，人民美术艺术家委员会委员，中国楹联学会书法艺术研究会副秘书长，【中华国粹】诗词研究专刊第一届理事会副主席，中国民族建筑研究会书画艺术专业委员会副主席，中国老年书画研究会、中国书法家协会、中华诗词学会会员，苏富比研究所研究员。当代国艺圣手，国务院国宾礼特供艺术家，国家高级书法师，中国艺坛流派宗师，中国国宾礼形象大使，“兰亭高明柱体”字体设计师，中国非物质文化遗产传承人物，2021艺术传承人物。创建首批中国文化名人工作室：高明柱工作室、高明柱艺术馆。被授予：东方之子、当世怪才、一代方家、人民艺术家、人民艺术十大家、国学十大名家，中国当代十大德艺双馨艺术家，荣宝斋特约书法家，中国当代十大文化学者。获书法艺术学位，法兰西皇家美术学院艺术学博士学位，瑞典皇家美术学院荣誉博士学位，中国文学艺术界学术奖，中国文化艺术节终身成就奖，金猴奖、金鸡奖、金犬奖三连冠。出版有《高明柱书法集》《中国国宾礼形象大使·高明柱》《新中国功勋艺术家档案·高明柱》《一代方家·高明柱名家艺术鉴赏》《高明柱艺术馆成立艺术特别专刊》《一带一路高峰论坛·中国著名书法家高明柱》《百年巨匠 艺术典藏·民族艺术名家高明柱作品精选》《中国近现代名家书法集》高明柱卷大红袍等专辑。
Gao Mingzhu, born in 1952, courtesy name Jingzhi, number Xunjingzhai, ancestral home in Dengzhou, Henan, living in Beijing. Member of the Communist Party of China, Mao-style calligrapher, poet, master of Sinology, winner of the Nobel International Art Prize. Appointed by the China Federation of Literary and Art Circles and the Cultural and Art Talent Center of the Ministry of Culture as the art consultant of the New Era Cultural and Art Talent Center, currently the chairman of the National Painting and Calligraphy Art Committee, the honorary director of the National Network Art Museum, the art consultant of the Central Media Culture Organizing Committee, and the Beijing Xinhai Culture and Art Research Institute, Beijing Runge Artwork Appraisal Center Chief Evaluation and Appraisal Consultant, Member of the People's Artists Committee, Deputy Secretary-General of the Calligraphy Art Research Association of the Chinese Couplet Association, Vice-Chairman of the First Council of the [Chinese National Essence] Poetry Research Special Issue, Chinese National Architecture Research Vice Chairman of the Calligraphy and Painting Art Professional Committee of the Society, a member of the China Senior Calligraphy and Painting Research Association, the Chinese Calligraphers Association, and the Chinese Poetry Society, and a researcher at the Sotheby’s Institute. Contemporary National Art Master, State Council State Guest Ceremony Special Artist, National Senior Calligrapher, Chinese Art School Master, Chinese State Guest Ceremony Image Ambassador, Font Designer of "Lanting Gaoming Column", Chinese Intangible Cultural Heritage Inheritance Figure, 2021 Art Inheritance figure. Created the first batch of Chinese cultural celebrity studios: Gaomingzhu Studio and Gaomingzhu Art Museum. Awarded: Son of the East, Contemporary Geek, Generation Fangjia, People's Artist, Top Ten People's Artists, Top Ten Famous Chinese Studies, Top Ten Contemporary Chinese Artists of Virtue and Art, Rongbaozhai Special Calligrapher, Top Ten Chinese Contemporary Cultural Scholars . He received a degree in calligraphy art, a doctorate in art from the Royal Academy of Fine Arts in France, an honorary doctorate degree from the Royal Academy of Fine Arts in Sweden, an academic award in the Chinese literature and art circles, the Lifetime Achievement Award at the Chinese Culture and Art Festival, the Golden Monkey Award, the Golden Rooster Award, and the Golden Dog Award for three consecutive championships . Published "Gao Mingzhu Calligraphy Collection", "Chinese State Guest Ambassador · Gao Mingzhu", "New China Meritorious Artist Archives · Gao Mingzhu", "A Generation of Fangjia · Gao Mingzhu Famous Artists' Art Appreciation", "Gao Mingzhu Art Museum Establishment Art Special Issue" " The Belt and Road Summit Forum, China's Famous Calligrapher Gao Mingzhu, "Centennial Master Art Collection, National Art Famous Master Gao Mingzhu's Works Selection", "Chinese Modern and Modern Famous Calligraphy Collection" Gao Mingzhu Volume Dahongpao and other albums.
高明柱先生受祖辈的影响和熏陶，自幼酷爱书法、诗词，先后毕业于河南书法函授院，中国书协书法培训中心研修班，上世纪60年代初执笔学习楷书，70年代学习隶书、篆书及毛先生的诗词手书，80年代始学习王羲之书法及历代名家书法，数十年如一日默默耕耘，临池不辍。在创作过程中善于汲取前人的经验和艺术精华，主张艺术源于生活，从平凡的生活中挖掘素材，擅长观察思考、提炼、升华，并获取创作灵感，师古不泥，大胆创新，经过反复锤炼，逐步形成了用笔圆润，线条流畅，潇洒飘逸的艺术风格，创作出大量为人称道的优秀作品。受到了范曾、欧阳中石、张海等老一辈艺术家的高度评价。范曾先生在人民大学国学开讲时提到高明柱是在“用心写字”并题“诗书皆佳”相赠。权希军先生在高明柱大红袍专辑的序言中写到：“高明柱先生的书法，从运笔、用墨、布局、章法等来看，其作品布局严谨而不呆板，灵动而不杂乱，行草挥洒自如，古韵悠长而刚柔并济。笔墨变化多姿，潇洒飘逸，既有浑厚苍劲的气劲，又有温柔秀雅的情韵，承传统于字里行间，出新度于法度之外。真正做到了思想性，艺术性，观赏性的统一，德艺双馨，已具有名家风范且能为其他书家创作提升提供了可凭借鉴的有益启示。”欧阳中石先生也精辟的评点其高明柱的书法：“综观他的书法作品使人感到新而不薄，就【鸿图国韵】来说，华而不媚，成篇作品不失法度，少字作品不失大器，柔刚相济，雄秀并举，血肉丰满，结构天成。师古而不泥古，求新而不取宠。此乃众多古人铸于心、予以笔，集百家之长融于他自己。”博采众长的书法家高明柱，他的行草取毛体之狂放，融二王之韵致，摄米南宫之笔意，挥洒自如，活泼灵动，古韵悠长而刚柔并济，雅俗共赏，开一代行草风格。书法直取自然万象入书，大气磅礴，匠心独具，其作品大开大合而不失肃穆儒雅，潇洒飘逸而不失浑厚稳重，痛快淋漓而不失规矩法度，实可谓动中寓静，以静致动，静以动美，动因静生，妙趣无穷，苍静有力，气度非凡，美不胜收，有滚滚风云一泻千里之势，自成一体。当代评论家玉山先生则评其高明柱书法称道：“高明柱的行草书，取毛体之豪放，融二王之遒劲，摄米南宫之率意欹险，行笔婉转流畅，洒脱自然，笔锋颖脱，墨线内转外拓，大开大合，露锋以纵其神，藏锋以包其势，字字之间或欹斜、映带、揖让、向背、偃仰、错落奇崛，勾连首尾，上下呼应，纵横布局，跳宕回环，一气贯注，势不可挡。通篇之下而又绵绵不绝，如江流绕芳甸，豪畅奔流。笔墨疾徐纵横，如激雷跳荡，风卷残云，字态龙腾虎跃，惊蛇入草，飞鸟入林，而收笔又无往不复，无垂不缩。除草书外，高明柱的行书遒厚丰润，格调清新，结字笔画均承法度而又新颖独到，呈现出清润秀逸、儒雅朴茂、高古邵秀之美”。中国新闻网评其高明柱书法：“高明柱老师的书法创作理念具有合理性，其创作实践也证明具有现实可行性和可借鉴意义，获中国书法界广泛认可。我们今天看他的作品，已经不能以传统意义上的书法来看待。他与众不同的地方就在于他思考传统、反思传统，这是他对当前书法的最大贡献。他的书法是改革开放和中华民族伟大复兴时代的产物，是21世纪新时代中国特色社会主义时代之产物。它沿自传统是中国书法艺术发展至今的新创，它表明中华国粹之书法艺术没有衰落，依然充满着持续旺盛的生命力。”人民美术网在“感受深厚底蕴——人民艺术家高明柱书法欣赏”报道中评论高明柱书法：“高明柱先生作品，行施武功的连贯之法，大笔雄墨，如风似电，一笔而成，行笔施墨，让人眼花不解其轨，唯在凝神聚气之后，悟其定势之威。先生的笔墨张驰有力，字体苍劲飞动，字形宽广顿挫，能够表达出，心胸宽广的品德修养。先看作品整体感觉，再看细节特征，章法改变，结体夸张，浓淡相宜，使视觉冲击力出现了更多的节奏和韵律变化。高明柱先生的作品体现着他书法的根深底色，显示了他书法的文人潇洒，性情与法度结合和谐显成臻美的精彩。先生有潇洒却不浅薄，显张力远离轻薄，有法有度，自由风流，逸如云烟，相当悦目。有粗细立体的独特表达，字字可突盈纸面，大有空间质感！这是感性与理性相互加持的书法奇观。这样的书法作品，可以装饰万家屏障，成为先生在书坛大颂口碑的见证。”
Influenced and nurtured by his ancestors, Mr. Gao Mingzhu loved calligraphy and poetry since childhood. He graduated from the Henan Calligraphy Correspondence Institute and the Chinese Calligraphy Association Training Center. Chairman Mao's poems and poems were handwritten. In the 1980s, he began to learn Wang Xizhi's calligraphy and calligraphy by famous calligraphers of the past dynasties. In the process of creation, he is good at absorbing the experience and artistic essence of predecessors, advocating that art comes from life, excavating materials from ordinary life, good at observing, thinking, refining, sublimating, and obtaining creative inspiration. After repeated tempering, he gradually formed an artistic style with rounded pen, smooth lines, unrestrained and elegant, and created a large number of praised and excellent works. It has been highly praised by artists of the older generation such as Fan Zeng, Ouyang Zhongshi and Zhang Hai. Mr. Fan Zeng mentioned that Gao Mingzhu was "writing with heart" when he gave a lecture on Sinology at Renmin University, and he gave him the title "Poems and books are good". Mr. Quan Xijun wrote in the preface of Gao Mingzhu's Dahongpao album: "Mr. Gao Mingzhu's calligraphy, from the point of view of brush strokes, ink use, layout, composition, etc., is rigorous but not rigid, flexible but not cluttered, and cursive. Sway freely, the ancient rhyme is long and the hardness and softness are combined. The brush and ink are varied, chic and elegant, not only the vigorous and vigorous energy, but also the gentle and elegant sentiment. When it comes to the unity of ideology, artistry, and appreciation, the combination of virtue and art has become a famous style and can provide useful inspiration for other calligraphers to improve their creations." Mr. Ouyang Zhongshi also incisively commented on his calligraphy of Gao Mingzhu: "Overall, his calligraphy works make people feel new but not thin. As far as [Hongtu Guoyun] is concerned, they are gorgeous but not glamorous. The complete works do not lose the law, and the small-character works do not lose the greatness. At the same time, it is full of flesh and blood, and the structure is natural. Learn from the ancients without ignoring the ancients, and seek novelty without favoring. This is what many ancients cast in their hearts, write them, and integrate the strengths of hundreds of schools into himself.” Gao Mingzhu, a calligrapher who learned from others’ strengths, His cursive style takes the wildness of the body, blends the charm of the two kings, and captures the brushwork of the Mi Nangong. Calligraphy directly draws all the phenomena of nature into the book, which is majestic and ingenious. His works are open and close without losing solemnity and elegance, elegant and elegant without losing solemnity, and joyful without breaking the rules and regulations. Stillness causes movement, stillness makes movement beautiful, movement is caused by stillness, endless wit, calmness and strength, extraordinary bearing, and unbelievable beauty, with the tendency of rolling wind and clouds to scatter thousands of miles, and it is self-contained. A contemporary critic, Mr. Yushan, commented on Gao Mingzhu's calligraphy: "Gao Mingzhu's cursive calligraphy has the boldness of his hair, the vigor of the two kings, the spontaneity of Mi Nangong, the subtlety of his style, the smoothness of his strokes, the free and easy nature, and the sharpness of his strokes. Yingtuo, the ink line turns inward and outward, wide open and close, revealing the front to control its spirit, concealing the front to envelop its momentum, between the words or slanting, reflecting the belt, yielding, turning back, leaning on the back, staggering and rising, hooking the beginning and the end, Echoing from top to bottom, vertical and horizontal layout, jumping and looping, unstoppable, unstoppable. The whole text is continuous and continuous, like a river flowing around Fangdian, rushing freely. The brush and ink are swift and vertical, such as thunder and thunder, wind and clouds, words The state of dragons and tigers leaps, the snakes enter the grass, the birds enter the forest, and the brush strokes go back and forth, and there is no drooping or shrinking. In addition to cursive script, Gao Mingzhu's running script is thick and rich, fresh in style, and the strokes are both legal and novel. It is unique, showing the beauty of Qingrun Xiuyi, elegant simplicity, and high ancient Shaoxiu.” China News Network commented on Gao Mingzhu's calligraphy: "Mr. Gao Mingzhu's calligraphy creation concept is reasonable, and his creative practice has also proved to be realistic and feasible and can be used for reference, and has been widely recognized by the Chinese calligraphy circle. When we look at his works today, we have already It cannot be viewed in the traditional sense of calligraphy. What makes him different is that he thinks about and reflects on tradition, which is his greatest contribution to current calligraphy. His calligraphy is the product of the era of reform and opening up and the great rejuvenation of the Chinese nation. It is a product of the era of socialism with Chinese characteristics in the new era of Xi Jinping in the 21st century. It is a new creation of the development of Chinese calligraphy art following the tradition. It shows that the Chinese calligraphy art, which is the quintessence of China, has not declined, and is still full of continuous and vigorous vitality. "People's Art Network He commented on Gao Mingzhu's calligraphy in the report "Feeling the profound heritage - People's Artist Gao Mingzhu's calligraphy appreciation": "Mr. Gao Mingzhu's works are a coherent method of performing martial arts. Writing and applying ink can make people dazzled. Only after concentrating and concentrating on the energy, one realizes the power of its fixed position. The brush and ink of Mr. Zhang are vigorous and vigorous, the font is vigorous and flying, and the shape of the font is broad and staggering, which can express the character of a broad mind. Self-cultivation. First look at the overall feeling of the work, then look at the details and features. Changes in the composition, exaggerated structure, and appropriate shades make more rhythm and rhythm changes in the visual impact. Mr. Gao Mingzhu's works reflect the deep roots of his calligraphy. , which shows his literati style in calligraphy, and the harmony between temperament and law makes him beautiful and wonderful. Mr. is handsome but not superficial, showing tension away from frivolity, law and measure, free and romantic, as easy as clouds and smoke, quite pleasing to the eye. There are three-dimensional thicknesses. The unique expression of the characters can stand out from the paper surface, with a great spatial texture! This is a calligraphy spectacle that is mutually blessed by sensibility and rationality. Such calligraphy works can decorate the barriers of thousands of families and become a testimony to the reputation of Mr. "
高明柱老师系2008首届全国十佳毛体书法家，2009年度感动中国十大艺术骄子，2011第二届中国最具网络人气美术家十大年度人物。 2012年中央电视台先锋中国先锋会客厅以“东方之子·高明柱”为题作三十分钟的专题报道；2013年为纪念毛先生诞辰120周年，向毛诞辰120周年献礼，120幅书法作品在中华世纪坛世界艺术馆成功展出，名家对话栏目作二十分钟的专题报道；2015年天津人民美术出版社出版发行【中国近现代名家书法集】高明柱卷大红袍专辑2000册，全国新华书店经销。被中国非物质文化遗产办公室授予：“中国非物质文化遗产出版物”并授予：高明柱“中国非物质文化遗产传承人物”；中国非物质文化遗产艺术委员会以《中国近现代名家书法集》命名“高明柱大红袍名家工作室”；2017年广东广播电视台古韵今谈栏目以“中国著名书法家高明柱”为题作专题报道；2018年书法作品作为国礼赠送给吉尔吉斯共和国政府收藏，人民日报袭古创今栏目人物专访以高明柱“继古人之神韵、开时代之新风”为题作10分钟的专题报道；2019年文化部艺术发展中心资质认证：“当代著名书法家”，国学文化艺术中心专业艺术委员会决定正式授予：高明柱“国学大师”。2020年新华号以中国著名书法家高明柱：“字体飞动继古人之神韵 线条流畅开时代之新风”为题进行报道；2021年高明柱书法作品被中华人民共和国国家版权局登记，兰亭字库工程工作委员会研究决定，高明柱字体纳入兰亭字库并命名为“兰亭·高明柱体”，特聘请高明柱老师为“兰亭高明柱体”字体设计师一职。8月17日时代周刊新闻报道：跨国文化传播视界——2021年度中国国家艺术形象代表人物高明柱·“兰亭高明柱体”亮相兰亭字库。人民日报有品质的新闻以高明柱“潇洒飘逸的书法艺术与技法点评”进行报道；被中国文联授予：“2021艺术传承人物”，文旅中国以“建党百年特刊·艺术家高明柱作品欣赏”及“弘扬中国文化传递中国声音·中华艺术大家高明柱”进行报道；2022年3月被文化部文化艺术人才中心和中国文联聘任新时代文化艺术人才中心艺术顾问，5月荣获诺贝尔国际艺术奖，并被授予：瑞典皇家美术学院荣誉博士学位、国际艺术巅峰人物。
Mr. Gao Mingzhu was the first national top ten calligraphers in 2008, the top ten Chinese artists who moved China in 2009, and the second top ten most popular artists in China in 2011. In 2012, the CCTV Pioneer China Pioneer Meeting Room made a 30-minute special report with the title "Son of the East·Gao Mingzhu"; in 2013, in order to commemorate the 120th anniversary of Chairman Mao's birth, a gift was presented to Chairman Mao's 120th birthday, and 120 calligraphy works were in The World Art Museum of China Millennium Monument was successfully exhibited, and the famous dialogue column made a 20-minute special report; in 2015, Tianjin People's Fine Arts Publishing House published 2000 volumes of the Dahongpao album of Gaomingzhu Volume, which was published by Tianjin People's Fine Arts Publishing House. distribution. Awarded by China Intangible Cultural Heritage Office: "Chinese Intangible Cultural Heritage Publication" and awarded: Gao Mingzhu "China Intangible Cultural Heritage Inheritance Figure"; China Intangible Cultural Heritage Art Committee named after "Chinese Modern and Modern Famous Calligraphy Collection" "Gao Mingzhu Dahongpao Famous Studio"; in 2017, the Gu Yun Jintan column of Guangdong Radio and Television made a special report with the title "Gao Mingzhu, a famous Chinese calligrapher"; in 2018, the calligraphy works were presented to the Prime Minister's Office of the Kyrgyz Republic as a national gift for the collection of the people. The interview with the characters of the column of the Daily's "Following the Ancients and Creating the Present" made a 10-minute special report on Gao Mingzhu's "Following the charm of the ancients and opening up the new style of the times"; 2019 Qualification Certification of the Art Development Center of the Ministry of Culture: "Famous Contemporary Calligraphers", Chinese Culture Culture The Professional Art Committee of the Art Center decided to officially award: Gao Mingzhu "Master of Chinese Studies". In 2020, the Xinhua account will report on the title of Gao Mingzhu, a famous Chinese calligrapher: "Flying fonts follow the charm of the ancients and smooth lines and open a new style of the times"; in 2021, Gao Mingzhu's calligraphy works were registered by the National Copyright Administration of the People's Republic of China, and the Lanting font library project The working committee decided to include the Gaomingzhu font into the Lanting font library and named it "Lanting·Gaoming column", and specially hired Mr. Gao Mingzhu as the font designer of "Lanting Gaoming column". On August 17th, Time Magazine reported that the vision of transnational cultural communication - Gao Mingzhu, the representative of China's national artistic image in 2021, "Lanting Gaoming Pillar" appeared in the Lanting font library. The high-quality news of the People's Daily is reported by Gao Mingzhu's "Comment on the elegant and elegant calligraphy art and techniques"; it was awarded by the China Federation of Literary and Art Circles: "2021 Art Inheritance Figure", and Cultural Tourism China's "Centennial Special Issue of the Founding of the Party · Artist Gao Mingzhu's Work Appreciation" and "Promoting Chinese Culture and Delivering Chinese Voice, Chinese Art Master Gao Mingzhu" reported; in March 2022, he was appointed as the art consultant of the New Era Cultural and Art Talent Center by the Cultural and Art Talent Center of the Ministry of Culture and the China Federation of Literary and Art Circles, and won the Nobel International Art Award in May. And was awarded: the Royal Swedish Academy of Fine Arts Honorary Doctorate, the pinnacle of international art.
书法作品《沁园春·雪》镌刻于中国八达岭新长城。作品收录《决策中国网·中国影响力人物数据库》《喜迎二十大·新时代民族艺术楷模》《中华人民共和国年鉴》《中国美术年鉴》《中国美术选集》《艺术家列传》《文化月刊》《艺术人生》《书坛巨擘》《不忘初心》《香港印象》《故宫典藏》《人民美术》《艺术传承》《大国大家》《金牌艺术家》《国礼艺术大师》《中国当代书法史》《中国艺坛流派宗师》《中国艺术宝藏》《当代国艺圣手》《感动世界艺术巨匠》《传世经典·大师风范》《艺术传承·中华名人书画作品鉴赏》《一代方家·九大名家艺术鉴赏》《世界殿堂级艺术大师·孩子一生应该知道的二十位殿堂级艺术家》《中华传世诗书画全集》《中国艺圣·启功、高明柱双人集》《新中国诗词大典》《新中国诗词三百家》《新中国国学三百家》等。
Mao Zedong's calligraphy work "Qinyuan Spring·Snow" is engraved on the New Great Wall in Badaling, China. Works include "Decision China Network, Database of Chinese Influential Figures", "Welcome to the 20th National Congress of the Communist Party of China and National Art Model in the New Era", "People's Republic of China Yearbook", "Chinese Art Yearbook", "Chinese Art Collection", "Artist Biography" and "Culture Monthly" "Art Life", "Calligraphy Giants", "Don't Forget the Original Heart", "Hong Kong Impression", "Forbidden City Collection", "People's Art", "Art Inheritance", "Great Country", "Gold Medal Artist", "National Ritual Art Master", "History of Contemporary Chinese Calligraphy" "Masters of Chinese Art Schools", "Chinese Art Treasures", "Contemporary National Art Masters", "Moving the World's Art Masters", "Handed Down Classics, Master Styles", "Art Inheritance: Appreciation of Chinese Celebrities' Calligraphy and Paintings", "A Generation of Fangjia·Nine Famous Artists" Appreciation", "World Hall-level Artists: Twenty Hall-level Artists Children Should Know in Their Lifetime", "Complete Works of Chinese Poetry, Calligraphy and Painting", "Chinese Artists: Qigong and Gao Mingzhu's Double Collection", "New China Poetry Dictionary", "New China" "Three Hundred Poems", "Three Hundred Schools of Sinology in New China", etc.
