周永志，1938 年出生，浙江东阳人。现系中国书法艺术研究协会副主席，中国书画家协会名誉主席，中央美术学院外聘书法教授书法博士生导师，中国教育联盟客座教授。中国文化管理协会聘任的书法技师技能鉴定的培训项目专家委员。
师法赵孟頫、怀素、张旭等书法大家融入自己的创造，创新，形成自己的书风，其书法特点，十分独特称著。《中国收藏》评其书法“笔势纵横，淋漓痛快……有强烈自我意识，并形成自己鲜明的特色”，香港书家评论他的字“形体美，气势美、意境美”三美结合。《艺术与价值》点评周永志书作“大气磅礴，挥洒自如，一时急泻如风雨雷电，一时平静如松生空谷……”
题写了《长城谣》《黄大年》《在桃花盛开的地方》影片片头。在景德镇瓷品，茶具两套国礼器皿上题字。与中国国际集邮网等部门合作出版了三套珍藏邮册。单独出版了四套草书挂历。
先后发表了《在书法创作中贯彻“创造性转化”“创新性发展”的几点思考》等论文和《三十六小洞天》等诗歌多篇。
Zhou Yongzhi, born in 1938, is a native of Dongyang, Zhejiang. He is currently the vice chairman of the Chinese Calligraphy Art Research Association, the honorary chairman of the Chinese Calligraphy and Painters Association, a calligraphy doctoral tutor for external calligraphy professors at the Central Academy of Fine Arts, and a visiting professor at the China Education Alliance. The expert committee member of the training project for the skill appraisal of calligraphy technicians hired by the China Cultural Management Association.
Master Zhao Mengfu, Huai Su, Zhang Xu and other calligraphy masters integrated their own creations, innovations, and formed their own style of calligraphy. Their calligraphy characteristics are very unique. "China Collection" commented on his calligraphy as "vertical and horizontal, dripping and happy...with a strong self-awareness and forming its own distinctive characteristics", and a Hong Kong calligrapher commented on his calligraphy "beautiful in body, momentum and artistic conception". "Art and Value" commented on Zhou Yongzhi's book as "magnificent, swaying freely, suddenly rushing like wind, rain and thunder and lightning, and temporarily calm like a pine valley..."
Inscribed the film titles of "The Ballad of the Great Wall", "Huang Danian" and "In the Place where the Peach Blossoms Bloom". In Jingdezhen porcelain, two sets of national ceremony utensils, inscriptions. In cooperation with China International Philatelic Network and other departments, three sets of collection stamp albums have been published. Four sets of cursive wall calendars were published separately.
He has successively published several papers such as "Some Reflections on Implementing "Creative Transformation" and "Innovative Development" in Calligraphy Creation, and many poems such as "Thirty-six Little Caves".
